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Saand Ki Aankh: Movie Review

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Directed by – Tushar Hiranandani

Produced by –
Anurag Kashyap, Reliance Entertainment, Nidhi Parmar

Starring –
Bhumi Pednekar, Taapsee Pannu, Prakash Jha, Vineet Kumar Singh

In light of the genuine sexagenarian sharpshooters, Chandro and Prakash Tomar (played by Bhumi Pednekar and Taapsee Pannu individually), ‘Saand Ki Aankh’ first gives us a sneak-look into the lives of these two sister-in-laws when they were recently hitched.

The women work hard day and night and are significantly kept to the four dividers of their homes. They are canvassed in ghoonghat constantly and need to shading code their dupattas so their spouses wouldn’t confuse them with each other. At the point when a specialist turned-shooting teacher Dr Yashpal (Vineet Singh) sets up a shooting range in the town, Chandro’s granddaughter Shefali chooses to give it a shot. Anyway once there, the previous winds up picking the rifle and hitting an ideal bullseye. Before long, Prakashi too pursues her to the range with her little girl Seema. In an offer to support Shefali and Seema’s assurance to exceed expectations in the game, the ‘Tomar Daadis’ beginning working on shooting in mystery with them, keeping the menfolk in dim.

Director Tushar Hiranandani’s directorial introduction is a moving story which works up the correct feelings in you. A few minutes make you snicker a boisterous, some leave your eyes damp. While the producer keeps up with a sheltered course of account advising, it’s to a great extent successful. The primary portion of the film is a smidgen moderate yet, things light up post interim. Directly from the phrasing to the non-verbal communication, Taapsee Pannu and Bhumi Pednekar assume their jobs with gravitas and conviction. Having said that, there are a couple of scenes where the last sparkles more brilliant. In the interim, the two women as ‘mischievous accomplices’ share an astounding kinship on screen which is additionally one reason why ‘Saand Ki Aankh’ keeps you contributed till the end.

At a certain point in the film, a character asks the ‘Shooter Daadis’, “Ek baat bataa Taai…ki khav tum dono? Nishana bilkul sidha lagawo.” To which, Prakashi answers, “Gaali”. ‘Saand Ki Aankh’ causes you to understand that analysis goes to the individuals who stick out. It’s additionally the best sign that you’re onto something.


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