Weirdest Movies That We Know About

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Donnie Darko

Director: Richard Kelly

During the presidential appointment of 1988, an adolescent named Donnie Darko sleepwalks out of his home one night, and sees a mammoth, devilish looking bunny named Frank, who discloses to him the world will end in 28 days, 6 hours, 42 minutes, and 12 seconds.

He returns home the following morning to locate that a fly motor has slammed through his room. As he attempts to make sense of why he endure and attempts to manage individuals in his town, similar to the school menace, his traditionalist wellbeing educator, and a self improvement master, Frank keeps on turning up in Donnie’s psyche, making him submit demonstrations of vandalism and more regrettable.


Director: Marc Caro, and Jean-Pierre Jeunet

The story is focused on a microcosm of a dystopian culture where nourishment is so uncommon it’s priceless and is utilized as cash. The story fixates on a condo working with a shop on the ground floor.


The proprietor of the diner additionally claims the condo building and he needs another groundskeeper since the first “strangely” vanished. A previous comedian goes after the position and the butcher’s expectation is to have him work for a brief period and afterward serve him to particular occupants who pay the butcher in, obviously, grain.

The jokester and butcher’s little girl begin to look all starry eyed at and she attempts to thwart her dad’s arrangements by reaching the “troglodytes”, a grain eating sub-gathering of society who live totally underground. The “trogs” are potentially the most reasonable of the part, as they consider nourishment to be nourishment and not cash. This motion picture mirrors a sort of sci-fi called la Nouvelle Vague.

Mulholland Drive

Director: David Lynch

A brilliant peered toward youthful on-screen character goes to Hollywood, just to be trapped in a dim connivance including a lady who was about killed, and now has amnesia as a result of a fender bender.

Theatrical release poster showing the film's title against a dark blue image of the Hollywood Sign in Los Angeles atop another still shot of Laura Elena Harring in a blonde wig staring at something off camera toward the lower right corner

In the end, the two ladies are maneuvered into an insane hallucination including a hazardous blue box, an executive named Adam Kesher, and the baffling night club Silencio.


Director: Darren Aronofsky

In Manhattan, behind six locks, lives Max Cohen, a mathematician and PC pro. Since gazing at the sun at age six, he’s had horrible cerebral pains; furthermore, he can’t withstand human contact aside from with a maturing teacher, and he’s fixated on discovering numeric examples.


His present fixation is the financial exchange; his hypotheses carry him to the consideration of Wall Street dealers. He likewise continues running into Lenny, a quick talking Hasidic who fronts for a scheme that needs to rediscover tragically deceased scientific puzzles in the Torah.

Neither one of the groups is amiable, and they seek after Max as his visualizations and cerebral pains compound. Does nature offer any arrangements? Would max be able to discover them?


Director: Terry Gilliam

In an Orwellian vision of things to come, the masses are totally constrained by the state, however innovation remains nearly as it was in the 1970’s. Sam Lowry is a government employee who one day recognizes a misstep in one of the bits of administrative work going through his office.

A man in a suit of armour with wings, against a seemingly endless wall of filing cabinets

The mix-up prompts the capture of a completely blameless man, and despite the fact that Lowry endeavors to address the blunder, it just gets greater and greater, sucking him in with it.

Notable others: Virtually every other film by David Lynch or David Cronenberg, eXistenZ, City of Lost Children, Requiem for a Dream, Repulsion, Memento, Begotten, Jacob’s Ladder, After Hours, Prospero’s Books, Eternal Sunshine of the Spotless Mind.

A Clockwork Orange

Director: Stanley Kubrick

Stepping, whomping, taking, singing, tap-moving, damaging, Derby-beat teddy-kid law breaker Alex (Malcolm McDowell) has his own particular manner of having a decent time. He has it at the grievous cost of others. Alex’s voyage from irreverent punk to mentally conditioned appropriate resident structures the dynamic bend of Stanley Kubrick’s future-shook vision of Anthony Burgess’ epic.

A Clockwork Orange (1971).png

Extraordinary pictures, surprising melodic contrasts, the entrancing language utilized by Alex and his buddies – Kubrick shapes them into a breaking entirety. Enormously questionable when originally discharged, A Clockwork Orange won the New York Film Critics Best Picture and Director respects and earned four Academy Award designations, including Best Picture. The intensity of its craft is with the end goal that despite everything it lures, stuns, and holds us in its grip.

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